All posts tagged “Reason”
It was the the year 2002. The British Empire lay in ruins, Linkin Park won MTVs Video Music Award for Best Rock Video and George W Bush was two years into his first term as the President of the United States. These were grim years… At Propellerhead Software, we were hard at work trying to come up with something to break the doom and gloom. Something to bring a little Christmas spirit to Reason racks all over the world.
After much consideration, we launched a simple Xmas music competition. Each Reason user could compose eight bars of Christmas music at 120 bpm. We also handed out a rex loop of sleigh-bellish jingle jangle (actually, it was Ernst’s weird leg-or-arm-mounted jingly contraption that we recorded for Dan’s 1999 xmas app – ReXmas) that was optional to use in the Christmas composition.
When the loops had been submitted, the users could vote for the top loops, some fancy prizes were handed out… and there was much rejoicing.
But the best was yet to come: taking all the 176 xmas loops and splicing them together into a hellish 47 minute musical marathon that we shared with the users and that we have enjoyed here at the office around xmas time ever since.
And now we think it’s time to share this holiday spirit gem with all of you again. Enjoy!
In the spirit of the holiday season, I have put together a free ReFill as a gift for all you Radical Piano and Radical Keys owners out there!
Stuff your stocking with a handful of exclusive Combinator patches that show just how far you can take these Radical Instruments when you layer them with everything from synths to samples. Perfect for getting inspired when you can finally sit down and make some music during the holidays. Listen to how it sounds in the SoundCloud player and, most of all, enjoy!
In this exclusive article, Matt Piper will highlight his 7 favorite new features in Reason 7. To learn more, join lynda.com and get access to his Up and Running with Reason 7 video course as well as over 100 other classes on recording, mixing, mastering, acoustics and software.
1.) Use Hi-Pass and Low-Pass filters to define your mix
Before ever touching any other EQ controls, once you have set comfortable relative signal levels for each channel in your mix, you can define the sonic space of each channel with the Hi-Pass and Low-Pass filters. For instance, set the low pass filter on the kick so that the highest frequencies of the kick do not overlap with the core frequencies of the snare. Then use the high-pass filter on the snare to filter out unnecessary low frequencies. For visual feedback on what you are doing, press F2 on your computer keyboard to see the Spectrum EQ display.
Join producer Justen Williams behind the scenes in his studio as he creates a track in Reason 7. Learn about his approach to track building, get some useful tips & tricks and see Parsec‘s vocoder feature in action!
You can try out Parsec yourself in the Propellerhead Shop.
Parsec is capable of some absolutely mind-blowing sounds only possible with additive synthesis. But before you dive in too deep, make sure you check out this new Micro Tutorial! We’ll tell you all about how additive synthesis works and how you can experiment with Parsec to bring new sounds to your music.
Check out Parsec and download your 30-day trial here.
You can also download the song featured in the tutorial as a .reason file by clicking here.