All your sounds will end up in Record's main mixer. This mixing console's sound and signal processing was faithfully modelled after* the legendary SSL 9000k analog mixing desk. Flexible routing, full dynamics, EQ, advanced effects handling, full automation and a 64-bit mix bus gives you that big studio sound right out of your computer. And yes, you do get that master-bus compression.
Your Record rack can be stacked with an infinite number of reverbs, distortion units, delays, dynamic processors, mastering EQs - everything you need to shape and color your sounds. Click and drag effects straight to the rack, or load any of the expertly crafted patches.
The mixing console features a warm sounding EQ section with high and low pass filters, high and low shelving filters as well as parametric midrange filters. This is where you can add some extra polish to your recordings, and the sound is just fabulous.
Every channel has its own fully featured dynamics section with compressor, gate and expander functions.
The console has eight dedicated effect sends and each channel's sends can be set to work pre or post fader. Adding a send effect to the mixer is a two mouseclick affair. Simply right-click in the mixer's master section and select what effect you want to use. Simple!
Record's mixer features a clever way to handle insert effects. As explained on the Record page, each track in Record is made up of three components: a sequencer track, a rack device (audio track or mix device) and a mixer channel. In the rack device, you can put all the insert effects you want on your sound, and you can also map controls on the insert effects to the insert section in the mixer. These setups can then be saved as patches for instant recall. Record ships with a large library of ready-made insert patches for a wide array of applications. Reason users will recognize this method from Reason's combinator, so in essence this is like having a dedicated combinator per mixer channel.
Here's the control you will find yourself using more than anything else in the mixer. As the name and the picture implies, this is where the faders are and this is also where you set the pan, handle solo and mute. Stereo channels also have a stereo width control.
The Master compressor is what gives your music that final touch. The legendary dynamics processor it was modeled after is in use in studios all over the world.
This track shows the power of Record used alongside with Reason. Written and produced by Josh Mobley and Kurt Kurasaki, vocals and lyrics by Jodie Evans, mixed by Niklas Flyckt.
Beats and rap by alt hip hop legend and long time Reason user Labtekwon, also using Reason and Record.
Made with Record only, this track was created by The Baguettes and is also featured heavily in the Record Promo video.
* All product names used are trademarks of their respective owners, and in no way constitutes an association or affiliation with Propellerhead Software. The SSL and/or Solid State Logic trademarks are solely used to identify the products whose sound was studied during Propellerhead Software's sound modeling development. The trademarks SSL and Solid State Logic are owned by Red Lion 49 Limited.