To sample or not to sample—that is the question. Actually no it’s not, of course you should sample anything and everything—and the more samples the merrier! In this article and accompanying video, we’ll show you how to sample in Reason 10.
But before we go any further, let’s take a quick stroll through the history books to see how sampling got started (yes, there was a time when sampling didn’t exist…shudder). So what is sampling?
Sampling first appeared in popular music in Jamaican dub music in the 1960s, when artists such as Lee “Scratch” Perry started using pre-recorded samples of reggae rhythms to produce new tracks. The technique quickly spread to psychedelic rock, jazz fusion, and minimalist music during the mid 1960s, and continued to gain traction in electronic and disco music production in the 1970s.
But sampling wasn’t considered a mainstream production technique until the mid 1980s, when DJs manipulated vinyl using two turntables and an audio mixer to create an entirely new genre of music that would dominate the world: hip hop.
With the global rise of hip hop and the release of dedicated digital samplers in the 1980s, sampling quickly found its way into every corner of the music world. And although music and audio technology have changed and evolved over the decades, sampling has remained an invaluable production tool for every conceivable genre—from indie rock to R&B.
Sampling in Reason is incredibly easy and intuitive, with a rich feature set that offers a range of sampling methods to fit any music creation workflow. In this video, hip hop producer, teacher, and sound designer MG The Future provides an in-depth sampling tutorial that will show you how to quickly create captivating arrangements using samples in Reason.
You’ll see how to use Kong’s Nurse REX Player, Slice Trigger Mode, Chunk Trigger Mode, and more to create deep and layered tracks with any sampled sound source (a must watch for J Dilla fans).
Watch the video now to learn how to chop samples in Reason 10!
We rely on our favorite go-to instruments to capture new ideas as they're forming. We know those instruments well and they help us act quickly to grab that inspiration before it's gone. But what happens if we don't have any ideas cooking yet? Sometimes those favorites are so familiar that we fall into routines and habits that makes sparking new ideas harder for us. The solution is to try entirely new instruments and effects to see how getting out of our comfort zone can create a fresh approach to music making.
In this tutorial, Ryan does just that by building a new idea using instruments new to him. The quick inspiring workflow of Reason remains but the sounds and instruments are coming courtesy of Native Instrument's Komplete Select.
The world of hip-hop music production is full of genres and sub-genres, each with its own unique history and style. Take Boom Bap hip-hop for example. The central elements are a hard-hitting sampled kick drum (boom) and snare drum (bap), typically with the snare on two and four and the MC rapping on the beat.
Boom Bap developed out of the 1980s New York City breakbeat scene, and hit peak popularity in the 1990s, when artists like Wu-Tang Clan, Mobb Deep, Jay-Z, Nas and A Tribe Called Quest made Boom Bap one of the defining sounds of hip hop. Hip hop production has evolved a great deal since then, with the snare sound frequently replaced with a hand clap or other sample. Still, Boom Bap remains a popular, albeit retro technique that’s sometimes incorporated into other types of hip hop.
One such variation is Jazzy Hip Hop, which is related to the electronica subgenre Chill Hop. It features a mellow, jazzy groove made up of Boom Bap drums and short chordal samples taken from jazz records that typically provide much of the harmonic content.
Reason 10 provides the perfect toolset for creating Boom Bap and Jazzy Hip Hop beats, among many other styles. With myriad instruments and sample players, a massive effects collection, and powerful recording, editing and mixing features, all you need to add is your creativity.
In this video, producer, musician and educator Stefan Guy (stefanguyaudio.com) takes you step-by-step through the creation and production of a Boom Bap/Jazzy Hip Hop beat using Reason 10. He deploys Reason instruments such as Kong Drum Designer, NN-XT Advanced Sampler, and the brand-new Humana Vocal Ensemble—along with effects like Audiomatic Retro Transformer (which he uses for vinyl emulation)—showing you lots of cool production tricks along the way.
Welcome to Part 2 of our two-part deep dive into trap-style 808 basses. In part one we looked at the origins of the style and some basic ways you can quickly create 808 bass sounds and 808 bass lines in your music.
In part 2 we're going deeper into sculpting the sound, including a look at Thor's advanced sound design capabilities. If you've used Thor but find yourself sticking to presets because you don't understand it, this tutorial should leave you feeling much better about experimenting yourself with signal routing and modulation inside Thor.
Over the years I've seen a lot of confusion out there about levels and clipping during mixing - but only recently I came to realise that the confusion was so deep that people were altering their mixes to avoid clipping that wasn't even really happening! Once and for all, I thought I'd lay out for people in highly technical terms, but hopefully still keeping it fun too, everything they need to know about digital audio and clipping so that they can finally realise how little they really need to know. If your the type of person who has found themselves worriedly watching the meters more than your listening to the sound, this tutorial will put your mind at rest and your concentration back to the fun part: making music.