Posted Feb. 15, 2018, 10:44 a.m.
The world of hip-hop music production is full of genres and sub-genres, each with its own unique history and style. Take Boom Bap hip-hop for example. The central elements are a hard-hitting sampled kick drum (boom) and snare drum (bap), typically with the snare on two and four and the MC rapping on the beat.
Boom Bap developed out of the 1980s New York City breakbeat scene, and hit peak popularity in the 1990s, when artists like Wu-Tang Clan, Mobb Deep, Jay-Z, Nas and A Tribe Called Quest made Boom Bap one of the defining sounds of hip hop. Hip hop production has evolved a great deal since then, with the snare sound frequently replaced with a hand clap or other sample. Still, Boom Bap remains a popular, albeit retro technique that’s sometimes incorporated into other types of hip hop.
One such variation is Jazzy Hip Hop, which is related to the electronica subgenre Chill Hop. It features a mellow, jazzy groove made up of Boom Bap drums and short chordal samples taken from jazz records that typically provide much of the harmonic content.
Reason 10 provides the perfect toolset for creating Boom Bap and Jazzy Hip Hop beats, among many other styles. With myriad instruments and sample players, a massive effects collection, and powerful recording, editing and mixing features, all you need to add is your creativity.
In this video, producer, musician and educator Stefan Guy (stefanguyaudio.com) takes you step-by-step through the creation and production of a Boom Bap/Jazzy Hip Hop beat using Reason 10. He deploys Reason instruments such as Kong Drum Designer, NN-XT Advanced Sampler, and the brand-new Humana Vocal Ensemble—along with effects like Audiomatic Retro Transformer (which he uses for vinyl emulation)—showing you lots of cool production tricks along the way.
Follow Stefan Guy on Facebook, Twitter, YouTube and Instagram.
Make a Boom Bap track yourself with a free trial of Reason 10!
Posted Feb. 15, 2018, 10:24 a.m.
Harm Coolen and Merijn Scholte Albers are the brains and muscle of Weval. Together they dream up slow-burning, emotive and highly dynamic electronic music with a taste for danceable drama and epic melodies.
Debuting in 2013 with the „Half Age EP“, Weval have since released two more EPs and in 2016, their sonic expedition moved deeper into uncharted territory with the self-titled debut-full length „Weval“ - not a mere collection of interchangeable tracks, but an organically flowing record with emotional heft and a narrative thread.
We had the chance to speak with Harm and Merijn about how they are using Reason to produce their electronic landscapes.
When you load up a brand new Reason song, what’s the very first thing you do?
It depends on the mood we want to build, but mostly starting with chopping up a organic drumbeat.
What's your favorite thing in Reason?
Dr. Octo Rex - can't do anything without this tool.
Do you have any special Reason production trick that you always use?
When we discovered the tape distortion setting in Scream, in combination with reverb (especially if you put the reverb before the distortion) we were extremely happy. That's one of the first things we discovered, after that we felt a lot more confident about our sounds. We still use this technique.
The three most used devices in your Reason rack?
Dr. Octo Rex, Scream and Redrum.
What do you do when inspiration just isn't there? How do you tackle writer’s block?
There is no simple way to tackle a writers block. If it's really there for a long time, maybe then it's time to do something totally different outside of making music, which gives you some new input.
What's the best music making tip you ever got?
Never boost a digital equalizer, especially above 500 Hz. It can destroy a sound and make it sound harsh. If we want more presence we cut out the lows instead of boosting the highs.
What’s your all-time favorite album?
Haha, that's impossible to answer! Maybe it's the first Connan Mockasin album, or Radiohead's In Rainbows.
Follow Weval on Facebook, Instagram, Twitter, Soundcloud
Posted Jan. 15, 2018, 12:46 p.m.
Over the last few years, a new retro music genre has emerged, bloomed and taken on a life of its own. Synthwave, or Retrowave is an electronic music genre heavily influenced by the sounds and aestethics of 1980s movies and its soundtracks (think John Carpenter, Vangelis etc) and video games. This nostalgia-induced style of electronic music pays tribute to the style, feel and sound of the 80s. Musically, Synthwave music often draws inspiration from bands that build their musical foundation on drum machines and (nowadays) classic synthesizers.
Emerging in the late 2000’s, Synthwave acts like Kavinsky, College and Com Truise were among the first to make the genre widely known and loved. Both Kavinsky and College were featured in the Synthwave-heavy soundtrack for the movie Drive, which definitely helped many discover the sounds of Synthwave and bring the genre into the mainstream. The Netflix hit show Stranger Things also features Synthwave music in its soundtrack and the whole series could of course also be considered an homage to 80s movies.
Synthwave music is often inspired by and based around 80s style components such as drum machines (such as the Linn Drum) and analogue synthesizers like the Roland Juno and Jupiter 8, mixed with more modern production techniques like creative use of sidechain compression.
With its rich plethora of drum machines and analogue inspired synthesizers, picking Reason to produce a Synthwave track is a perfect match. Here to show you how it’s done is producer and musician Paul Ortiz of Synthwave group ZETA.
Producer, musician and Reason producer Paul Ortiz (Chimp Spanner) is a member of Synthwave group ZETA, along with Daniel Tompkins (TesseracT) and Katie Jackson. Together they fuse the retro synth heavy decade of the 80s with futuristic and breath-taking imagery, bringing past and future together in a Cyberpunk-esque package that is ZETA.
Follow ZETA on YouTube, Facebook, Spotify, Bandcamp.
Make a Synthwave track yourself with Reason's free trial!
Posted Nov. 17, 2017, 12:37 p.m.
UPDATE NOVEMBER 17
Thanks so much for joining the Grain fest! We hope you've had a good a time at the party. Keep making music and posting your Reason 10 sounds using the #1stEuropa and #stGrain hashtags! We'll keep an eye out and repost your gems!
Please enjoy a few of our favorites in the #1stGrain fest!
Welcome to Grain week! The Grain Sample Manipulator has taken the Reason world by storm and now we want to hear what you are doing with it. Lush sonic landscapes? Glitchy Basslines? Or something completely unheard of?
Share your first Grain creations with the world using the #1stGrain hashtag. We’ll share and repost our favorites by Thursday Nov 16th. Go granular and share!
Don’t have Reason 10 yet? Download the trial today and join the Grain fest!
Want to hear our favorites in the #1stEuropa week? Click here!
Posted Nov. 9, 2017, 1:47 p.m.
Updated November 9, 2017
Thanks so much for participating! We really enjoyed listening through your creations! Here are a few of our favorites. Enjoy!
It’s Europa Fest! Reason’s new monster synth is receiving lots of love from its users all over the world. But what can you do with it? Aggressive arpeggios? Pulsating pads? Tantalizing Textures?
Share your first Europa creations with the world using the #1stEuropa hashtag. We’ll share and repost our favorites by Thursday Nov 9th. Get creative and get heard!
Don’t have Reason 10 yet? Download the trial today and join the Europa Fest!