Tutorials

Making a Jazzy Boom Bap Beat in Reason 10

Posted Feb. 15, 2018, 10:44 a.m.

The world of hip-hop music production is full of genres and sub-genres, each with its own unique history and style. Take Boom Bap hip-hop for example. The central elements are a hard-hitting sampled kick drum (boom) and snare drum (bap), typically with the snare on two and four and the MC rapping on the beat.

Boom Bap developed out of the 1980s New York City breakbeat scene, and hit peak popularity in the 1990s, when artists like Wu-Tang Clan, Mobb Deep, Jay-Z, Nas and A Tribe Called Quest made Boom Bap one of the defining sounds of hip hop. Hip hop production has evolved a great deal since then, with the snare sound frequently replaced with a hand clap or other sample. Still, Boom Bap remains a popular, albeit retro technique that’s sometimes incorporated into other types of hip hop.

One such variation is Jazzy Hip Hop, which is related to the electronica subgenre Chill Hop. It features a mellow, jazzy groove made up of Boom Bap drums and short chordal samples taken from jazz records that typically provide much of the harmonic content.

Reason 10 provides the perfect toolset for creating Boom Bap and Jazzy Hip Hop beats, among many other styles. With myriad instruments and sample players, a massive effects collection, and powerful recording, editing and mixing features, all you need to add is your creativity.

In this video, producer, musician and educator Stefan Guy (stefanguyaudio.com) takes you step-by-step through the creation and production of a Boom Bap/Jazzy Hip Hop beat using Reason 10. He deploys Reason instruments such as Kong Drum Designer, NN-XT Advanced Sampler, and the brand-new Humana Vocal Ensemble—along with effects like Audiomatic Retro Transformer (which he uses for vinyl emulation)—showing you lots of cool production tricks along the way.

Follow Stefan Guy on Facebook, Twitter, YouTube and Instagram.

Make a Boom Bap track yourself with a free trial of Reason 10!

Artist stories

Artist Feature: Weval

Posted Feb. 15, 2018, 10:24 a.m.

Harm Coolen and Merijn Scholte Albers are the brains and muscle of Weval. Together they dream up slow-burning, emotive and highly dynamic electronic music with a taste for danceable drama and epic melodies.

Debuting in 2013 with the „Half Age EP“, Weval have since released two more EPs and in 2016, their sonic expedition moved deeper into uncharted territory with the self-titled debut-full length „Weval“ - not a mere collection of interchangeable tracks, but an organically flowing record with emotional heft and a narrative thread.

 

 

We had the chance to speak with Harm and Merijn about how they are using Reason to produce their electronic landscapes.

When you load up a brand new Reason song, what’s the very first thing you do?
It depends on the mood we want to build, but mostly starting with chopping up a organic drumbeat.

What's your favorite thing in Reason?
Dr. Octo Rex - can't do anything without this tool.

Do you have any special Reason production trick that you always use?
When we discovered the tape distortion setting in Scream, in combination with reverb (especially if you put the reverb before the distortion) we were extremely happy. That's one of the first things we discovered, after that we felt a lot more confident about our sounds. We still use this technique.

The three most used devices in your Reason rack?
Dr. Octo Rex, Scream and Redrum.

What do you do when inspiration just isn't there? How do you tackle writer’s block?
There is no simple way to tackle a writers block. If it's really there for a long time, maybe then it's time to do something totally different outside of making music, which gives you some new input.

What's the best music making tip you ever got?
Never boost a digital equalizer, especially above 500 Hz. It can destroy a sound and make it sound harsh. If we want more presence we cut out the lows instead of boosting the highs.

What’s your all-time favorite album?
Haha, that's impossible to answer! Maybe it's the first Connan Mockasin album, or Radiohead's In Rainbows.

Follow Weval on Facebook, Instagram, Twitter, Soundcloud

Tutorials

How to make a track with BIAS AMP 2 in Reason 10

Posted Feb. 14, 2018, 2:47 p.m.

Join Paul Ortiz a.k.a. Chimp Spanner as he shows you how to get started making a track using the brand new BIAS AMP 2 virtual amp designer VST plugin by Positive Grid in Reason 10. Making use of the modular approach in the Reason rack, Paul utilizes both well-known Reason devices such as the Scream 4 Distortion unit as well as POD VST plugins by Line6 along with BIAS AMP 2.

BIAS AMP 2 by Positive Grid is the ultimate virtual amp designer, authentically recreating the tone and feel of real tube amplifiers, while allowing you to mix and match components to create your ideal amp. You can use Amp Match to clone the tone of real hardware or a guitar track, or connect to the ToneCloud® to gain access to thousands of custom amps from artists and recording studios, or upload your own custom tones to the cloud.

Want to win Reason 10 and BIAS AMP 2?
Click here to enter a giveaway for a chance to win Reason 10 and BIAS AMP 2!

Reason is the music-making software with everything you need to start making music.
Get the free trial of Reason and start making your own tracks!

Want more tutorials by Paul Ortiz?
Subscribe to Paul's YouTube channel for more Reason tutorials!

Artist stories

Artist Feature: Tora

Posted Feb. 7, 2018, 12:28 p.m.

Tora is a four-piece electronic band born in Byron Bay, Australia. The group formed in 2013, fusing plush, layered production and instrumentation with graceful vocals. Their soulful electronic music has had them compared to seminal artists such as Radiohead and James Blake. Tora has been busy touring and making a name for themselves at venues and festivals such as Glastonbury, Falls Festival, Splendour In The Grass, The Great Escape UK and Canadian Music Week.

We sat down to speak with vocalist and guitar player Jo Loewenthal about their workflow in Reason both in the studio and on tour.

 

 
What's your favorite addition in Reason 10? 
I love Europa, that thing is such a beast, it’s got everything that I wished Thor had!
 
How do you get started with a new song? What sparks your creativity? 
Usually I just sit down, load up an instrument and just play the first thing that comes to my head. I find if I don’t think about it and just roll with the first ideas, and keep following that path I usually end up with something I like. Once I’ve written some parts on a couple of instruments, I tweak the sounds to be the way I can imagine them to be in my head. I find that the times when I go in trying to create a particular vibe, it restricts me and prevents me from discovering new things, so I like to approach it all freely and just listen to my subconscious ideas as they pass through my mind.
 
What's the best music making tip you ever got?
When something isn’t impacting like you want it to, try muting some layers, it creates space and helps you realise what is clashing or what isn’t working. Also make sure that every layer sounds nice on it’s own.
 
"try muting some layers, it creates space"
 
Do you have any special Reason production trick that you always use?
I try not to use the same tricks in everything, to avoid sounding the same always, but I do love sidechaining long reverbs to give the whole track a pulsing vibe. I’ll make a parallel of an instrument or vocal part, then put a long reverb in the rack on that channel and set it to fully wet, then have a compressor after it and have a kick pattern routed into the side chain on the compressor. You can mix it in as loud or soft as you like, I usually keep it quite subtle but I find it adds a lot to the track when used in the right way.
 
The three most used devices in your Reason rack?
  • Pulveriser is easily my most used device, I use it on almost everything.
  • Audiomatic Retro Transformer is also something I use a lot, especially on synths.
  • NN-XT is the most used instrument for me, I often sample my own sounds and put them into the NN-XT, I just love how much control it gives you.
     
Jo in the Propellerhead Studio in Stockholm.

What do you do when inspiration just isn't there?
Well that’s very rare, but it can happen. Usually I’ll go for a walk, or do something physical and completely unrelated to music to clear my head, then come back to the studio and listen to some music I’ve never heard before, also some of my favourite artists to get perspective. Usually by that point I’ll be ready to make music, but if not then I guess I’d just come back tomorrow, but I don’t think that’s ever happened.
 
"what am I listening to? This guy is twisted". I thought it was terrible"
 
What’s your all-time favorite album?
This question is impossible to answer, because I have too many faves. But there’s one album that really changed my perspective on music. I remember the first day I heard it I thought to myself: "what am I listening to? This guy is twisted". I thought it was terrible. But came back to it a couple of weeks later and suddenly I understood it and from that day on I had a completely different outlook on music. For me, this album is the most original and inventive piece of work I’ve ever heard, I don’t know how he imagined it up.
 
James Blake - James Blake (2011)
 
 
Follow Tora on Facebook, Twitter, Instagram, Spotify or visit their website.
 
 
 
 
Artist stories

Music Talk: Kato on the track - The Making of Get It N Go in Reason

Posted Jan. 26, 2018, 10:08 a.m.

One Week Notice is the title of a 1-week collaborative concept album featuring 9 Hip-Hop Artists and Producers - Dizzy Wright, Jarren Benton, Demrick, Audio Push, Emilio Rojas, Reezy, Kato and DJ Hoppa. It was recorded fully in Austin, TX at the BeatStars studio and over 20 songs were created during the 7-day process, with 13 making it onto the album.

Kato On The Track is a Music Producer/Entrepreneur out of Atlanta, GA., best known for his production with Artists like: B.o.B, Hopsin, Jarren Benton, Dizzy Wright, Wu-Tang, Joyner Lucas, Token, Tory Lanez, K Camp, Futuristic, Sy Ari and more. Kato is also the founder of a Producer mentorship program, Beat Club, which educates and provides resources and networking to aspiring music Producers around the world.

We caught Kato to have a talk about the One Week Notice project and his workflow in Reason.

Tell us how the One Week Notice came about. Whose idea was it to complete an album in one week? 
One Week Notice was the brain child of Dame Ritter, former CEO of Funk Volume, whom I was signed to up until 2016. We've been friends since, and he basically just called me one day and asked if I'd be interested in flying to Austin for a week, staying in a house full of rappers, and making music all day. What could be better?
 
Could you share some insights on how to collaborate successfully with so many people involved and with that kind of tight deadline? 
The key to collaborating with that many people is just to leave any ego at the door and be open to working with other creatives. After that, the rest is easy.
 
When you load up a brand new Reason song, what’s the very first thing you do?
The first thing I do when I open Reason is load a template. I have different templates for working with vocals, starting a beat, etc. After I load my template, then I'll start searching for the perfect sound to start my melody, or sometimes I'll start with drums first. I usually have an idea going into the project of what I want to make, it's just a matter of finding the right sounds.
 
What drives you musically? Why do you make music?
My motivation for making music is the same as it was on Day 1. It's the only thing that allows me to create something from nothing without any rules or boundaries - what else allows you to do that?? It's absolute 100% freedom to do whatever you want and that idea to me is so amazing in a world full of rules. 

What do you do when inspiration just isn't there? Any tips on tackling writer’s block? 
I hate forcing creativity. When I don't feel inspired by what I'm doing, it takes the fun out of it and doing what you love should always be fun. Most of the time when I lack inspiration, I either step away from the music altogether and do something entirely different, or I'll find inspiration in collaborating with others. I've also been using Splice a lot.

Do you have any special Reason production trick that you always use?
I've been using the Decimort 2 a LOT recently. It adds so much cool texture whenever I need that extra unique quality. I like anything that takes something clean and makes it dirty.
 
The three most used devices in your Reason rack?
Kong Drum Designer, NN-XT and the McDSP C670 Compressor are CRUCIAL to me in every session I start. I can probably make an amazing beat using only those 3 devices and nothing else!
 
Watch how Kato made "Get It N Go" in Reason:
 
Check out the official video for "Get It N Go" off the One Week Notice album: