Posted March 14, 2018, 10:50 a.m.
Today Propellerhead are launching the third installment of the hugely successful Rigs. Simply put – it’s difficult to find a better deal in the music industry today.
The new devices that are included in this version are tremendous, top-of-the-line products that have been the best-selling instruments and effects for the past couple of years. Parsec, Expanse, Nostromo, ReSpire are all new additions to the Synthetic Rig. We’ve boosted the Backline Rig to the brink with three new A-List “musicians” as well as the GForce complete catalog. Mix & Mastering have all of McDSP REs included – even the creative FutzBox that provides endless hours of fun with creative impulse responses.
Also, not to forget when you buy a Rig you do not only get the devices and Refills included, you also get a complete video tutorial course from the people of AskVideo as well as a tailor-made patch-refill that utilizes the devices in the Rig with new and fresh patches from some of the best in the industry.
And it’s all package in a very attractive price – 349 USD/EUR.
“What!? What about us loyal customers that have been supporting you from the start?”, you might ask. Well, we thought about you too. You can upgrade to the new version of the Rigs you already own by depositing a small token of gratitude in form of 99 USD/EUR.
Hurry and buy before it runs out. Get Rigs 3 here!
Posted Feb. 15, 2018, 10:44 a.m.
The world of hip-hop music production is full of genres and sub-genres, each with its own unique history and style. Take Boom Bap hip-hop for example. The central elements are a hard-hitting sampled kick drum (boom) and snare drum (bap), typically with the snare on two and four and the MC rapping on the beat.
Boom Bap developed out of the 1980s New York City breakbeat scene, and hit peak popularity in the 1990s, when artists like Wu-Tang Clan, Mobb Deep, Jay-Z, Nas and A Tribe Called Quest made Boom Bap one of the defining sounds of hip hop. Hip hop production has evolved a great deal since then, with the snare sound frequently replaced with a hand clap or other sample. Still, Boom Bap remains a popular, albeit retro technique that’s sometimes incorporated into other types of hip hop.
One such variation is Jazzy Hip Hop, which is related to the electronica subgenre Chill Hop. It features a mellow, jazzy groove made up of Boom Bap drums and short chordal samples taken from jazz records that typically provide much of the harmonic content.
Reason 10 provides the perfect toolset for creating Boom Bap and Jazzy Hip Hop beats, among many other styles. With myriad instruments and sample players, a massive effects collection, and powerful recording, editing and mixing features, all you need to add is your creativity.
In this video, producer, musician and educator Stefan Guy (stefanguyaudio.com) takes you step-by-step through the creation and production of a Boom Bap/Jazzy Hip Hop beat using Reason 10. He deploys Reason instruments such as Kong Drum Designer, NN-XT Advanced Sampler, and the brand-new Humana Vocal Ensemble—along with effects like Audiomatic Retro Transformer (which he uses for vinyl emulation)—showing you lots of cool production tricks along the way.
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Make a Boom Bap track yourself with a free trial of Reason 10!
Posted Feb. 14, 2018, 2:47 p.m.
Join Paul Ortiz a.k.a. Chimp Spanner as he shows you how to get started making a track using the brand new BIAS AMP 2 virtual amp designer VST plugin by Positive Grid in Reason 10. Making use of the modular approach in the Reason rack, Paul utilizes both well-known Reason devices such as the Scream 4 Distortion unit as well as POD VST plugins by Line6 along with BIAS AMP 2.
BIAS AMP 2 by Positive Grid is the ultimate virtual amp designer, authentically recreating the tone and feel of real tube amplifiers, while allowing you to mix and match components to create your ideal amp. You can use Amp Match to clone the tone of real hardware or a guitar track, or connect to the ToneCloud® to gain access to thousands of custom amps from artists and recording studios, or upload your own custom tones to the cloud.
Want to win Reason 10 and BIAS AMP 2?
Click here to enter a giveaway for a chance to win Reason 10 and BIAS AMP 2!
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Posted Jan. 26, 2018, 10:08 a.m.
One Week Notice is the title of a 1-week collaborative concept album featuring 9 Hip-Hop Artists and Producers - Dizzy Wright, Jarren Benton, Demrick, Audio Push, Emilio Rojas, Reezy, Kato and DJ Hoppa. It was recorded fully in Austin, TX at the BeatStars studio and over 20 songs were created during the 7-day process, with 13 making it onto the album.
Kato On The Track is a Music Producer/Entrepreneur out of Atlanta, GA., best known for his production with Artists like: B.o.B, Hopsin, Jarren Benton, Dizzy Wright, Wu-Tang, Joyner Lucas, Token, Tory Lanez, K Camp, Futuristic, Sy Ari and more. Kato is also the founder of a Producer mentorship program, Beat Club, which educates and provides resources and networking to aspiring music Producers around the world.
We caught Kato to have a talk about the One Week Notice project and his workflow in Reason.
Tell us how the One Week Notice came about. Whose idea was it to complete an album in one week?
One Week Notice was the brain child of Dame Ritter, former CEO of Funk Volume, whom I was signed to up until 2016. We've been friends since, and he basically just called me one day and asked if I'd be interested in flying to Austin for a week, staying in a house full of rappers, and making music all day. What could be better?
Could you share some insights on how to collaborate successfully with so many people involved and with that kind of tight deadline?
The key to collaborating with that many people is just to leave any ego at the door and be open to working with other creatives. After that, the rest is easy.
When you load up a brand new Reason song, what’s the very first thing you do?
The first thing I do when I open Reason is load a template. I have different templates for working with vocals, starting a beat, etc. After I load my template, then I'll start searching for the perfect sound to start my melody, or sometimes I'll start with drums first. I usually have an idea going into the project of what I want to make, it's just a matter of finding the right sounds.
What drives you musically? Why do you make music?
My motivation for making music is the same as it was on Day 1. It's the only thing that allows me to create something from nothing without any rules or boundaries - what else allows you to do that?? It's absolute 100% freedom to do whatever you want and that idea to me is so amazing in a world full of rules.
What do you do when inspiration just isn't there? Any tips on tackling writer’s block?
I hate forcing creativity. When I don't feel inspired by what I'm doing, it takes the fun out of it and doing what you love should always be fun. Most of the time when I lack inspiration, I either step away from the music altogether and do something entirely different, or I'll find inspiration in collaborating with others. I've also been using Splice a lot.
Do you have any special Reason production trick that you always use?
I've been using the Decimort 2 a LOT recently. It adds so much cool texture whenever I need that extra unique quality. I like anything that takes something clean and makes it dirty.
The three most used devices in your Reason rack?
Kong Drum Designer, NN-XT and the McDSP C670 Compressor are CRUCIAL to me in every session I start. I can probably make an amazing beat using only those 3 devices and nothing else!
Watch how Kato made "Get It N Go" in Reason:
Check out the official video for "Get It N Go" off the One Week Notice album:
Posted Jan. 15, 2018, 12:46 p.m.
Over the last few years, a new retro music genre has emerged, bloomed and taken on a life of its own. Synthwave, or Retrowave is an electronic music genre heavily influenced by the sounds and aestethics of 1980s movies and its soundtracks (think John Carpenter, Vangelis etc) and video games. This nostalgia-induced style of electronic music pays tribute to the style, feel and sound of the 80s. Musically, Synthwave music often draws inspiration from bands that build their musical foundation on drum machines and (nowadays) classic synthesizers.
Emerging in the late 2000’s, Synthwave acts like Kavinsky, College and Com Truise were among the first to make the genre widely known and loved. Both Kavinsky and College were featured in the Synthwave-heavy soundtrack for the movie Drive, which definitely helped many discover the sounds of Synthwave and bring the genre into the mainstream. The Netflix hit show Stranger Things also features Synthwave music in its soundtrack and the whole series could of course also be considered an homage to 80s movies.
Synthwave music is often inspired by and based around 80s style components such as drum machines (such as the Linn Drum) and analogue synthesizers like the Roland Juno and Jupiter 8, mixed with more modern production techniques like creative use of sidechain compression.
With its rich plethora of drum machines and analogue inspired synthesizers, picking Reason to produce a Synthwave track is a perfect match. Here to show you how it’s done is producer and musician Paul Ortiz of Synthwave group ZETA.
Producer, musician and Reason producer Paul Ortiz (Chimp Spanner) is a member of Synthwave group ZETA, along with Daniel Tompkins (TesseracT) and Katie Jackson. Together they fuse the retro synth heavy decade of the 80s with futuristic and breath-taking imagery, bringing past and future together in a Cyberpunk-esque package that is ZETA.
Follow ZETA on YouTube, Facebook, Spotify, Bandcamp.
Make a Synthwave track yourself with Reason's free trial!