Welcome to Part 2 of our two-part deep dive into trap-style 808 basses. In part one we looked at the origins of the style and some basic ways you can quickly create 808 bass sounds and 808 bass lines in your music.
In part 2 we're going deeper into sculpting the sound, including a look at Thor's advanced sound design capabilities. If you've used Thor but find yourself sticking to presets because you don't understand it, this tutorial should leave you feeling much better about experimenting yourself with signal routing and modulation inside Thor.
Take a listen to Hip Hop, Trap, Pop, EDM, or just about any other genre these days and you'll hear the distinct tones of the "808 Bass" - a term used to describe tuned and pitched sub-bass lines whose origins come from a classic drum machine, not a bass synth. But as standard as the 808 Bass is, the way everyone makes them these days is not quite as standard. That's one reason why 808 Bass sounds and bass lines are something of a mystery for aspiring producers and beat makers.
In part one of a two part series, we take a look at the origins of the 808 Bass and the philosophy that goes into creating custom patches and writing 808 bass lines.
Over the last months we've been posting these #ReasonQuickTip videos on our social media channels and due to popular demand, we've now compiled them in one space. This YouTube playlist will be updated whenever a new #ReasonQuickTip gets posted so be sure to bookmark this page!
If you want to share your best tip with us, just tweet us or write to us on Facebook or Instagram! Maybe your tip will be our next video?
The age-old adage, “be in the right place at the right time” leaves out the most important third element. “Be ready.” AnonXmous did what he had to do to make sure he put himself in the right place, ready for the right time. But long before that he invested countless hours honing his skills so that when those did converge serendipitously he would also be ready. And now he’s got three Grammy nominations and a Universal publishing deal to show for it.
AnonXmous is the creative mind behind Nicki Minaj’s biggest single to date (Anaconda), as well as records with Chris Brown, Timbaland, Fergie, and work on the best selling Empire soundtrack. To hear him speak of his accomplishments however, he’s just getting started. We sat down to hear his inspiring story and learn some clever techniques he has to stay creative and inspired himself when approaching new writing sessions.
Scales & Chords: Capture Ideas, Discover New Ones!
The new Players introduced in Reason 9 have the power to change the way you make music, helping you work faster, smarter, and imagine more than you once could. If you're new to music theory or a begrudging keyboard player in the age of MIDI controllers, you'll love Scales & Chords for its ability to assist you in the real task: realizing your musical vision, and maybe even exploring new things you didn't think were possible.
In this tutorial we'll walk through the fairly simple controls that make Scales & Chords work but then dive into the beautifully complex music you can make with it by building up a song together. If you think you might want Scales & Chords in your music, you should check this out. However, if you think you don't need Scales & Chords because you already know music theory then you REALLY have to check this out!
Note Echo: Explore and Expand Your Music in Reason 9
When it comes to Players in Reason 9, Note Echo is perhaps the simplest Player to learn and the deepest to explore in your own music making. That's because the seemingly simplistic rule-set that governs how Note Echo operates belies the complex musical result that comes from it.
In this tutorial we'll quickly learn the basic layout of Note Echo and dive into some musical examples for how it can be used. But the end of this tutorial is just the beginning. Note Echo is all about personal exploration and experimentation.
The Dual Arpeggiator Player: Music in Motion
The Dual Arpeggiator Player in Reason 9 can be a simple arpeggiator, adding monophonic complexity to static chordal input, but it is so much more than a basic arpeggiator. Its polyphonic approach, pattern ability, and parallel construction of dual arpeggiators all adds up to something quite unique.
In this tutorial, we'll walk you through and show you how Dual Arpeggiator works - from basics to wowzers.
Perfect Your Vocals with Pitch Edit
Often times perfect vocal takes aren't captured, so much as they're crafted. The exactitude in modern recording technology from pitch perfect synths to quantized MIDI sequences has placed responsibilities on vocalists and producers to match that meticulous level of precision in their audio tracks as well. Now, thanks to Pitch Edit mode in Reason 9 meticulous doesn't have to mean tedious or difficult. In a special Reason 9 tutorial, we'll walk you through the basic process of taking a vocal by our own in-house resident untrained singer, Ryan, and getting his potential up to match the rest of the song.
Throughout this tutorial you'll get a basic walkthrough of Pitch Edit, its various workflows, and how to take the techniques you learn here and apply them to your own music, creativity, and advanced experimentation if you want to dive deep.
And a bonus tutorial by Ryan:
Reason 9: Using Players with the Neptune Voice Synth
Someone on Propellerhead's Youtube Channel asked a question: Can you use Players in Reason 9 like the Scales and Chords Player on Neptune to create Imogen Heap style chords on a vocal? The answer is YES! But there's a little trick to doing it that I'm demonstrating here.