Tutorials

Making a Jazzy Boom Bap Beat in Reason 10

Posted Feb. 15, 2018, 10:44 a.m.

The world of hip-hop music production is full of genres and sub-genres, each with its own unique history and style. Take Boom Bap hip-hop for example. The central elements are a hard-hitting sampled kick drum (boom) and snare drum (bap), typically with the snare on two and four and the MC rapping on the beat.

Boom Bap developed out of the 1980s New York City breakbeat scene, and hit peak popularity in the 1990s, when artists like Wu-Tang Clan, Mobb Deep, Jay-Z, Nas and A Tribe Called Quest made Boom Bap one of the defining sounds of hip hop. Hip hop production has evolved a great deal since then, with the snare sound frequently replaced with a hand clap or other sample. Still, Boom Bap remains a popular, albeit retro technique that’s sometimes incorporated into other types of hip hop.

One such variation is Jazzy Hip Hop, which is related to the electronica subgenre Chill Hop. It features a mellow, jazzy groove made up of Boom Bap drums and short chordal samples taken from jazz records that typically provide much of the harmonic content.

Reason 10 provides the perfect toolset for creating Boom Bap and Jazzy Hip Hop beats, among many other styles. With myriad instruments and sample players, a massive effects collection, and powerful recording, editing and mixing features, all you need to add is your creativity.

In this video, producer, musician and educator Stefan Guy (stefanguyaudio.com) takes you step-by-step through the creation and production of a Boom Bap/Jazzy Hip Hop beat using Reason 10. He deploys Reason instruments such as Kong Drum Designer, NN-XT Advanced Sampler, and the brand-new Humana Vocal Ensemble—along with effects like Audiomatic Retro Transformer (which he uses for vinyl emulation)—showing you lots of cool production tricks along the way.

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Make a Boom Bap track yourself with a free trial of Reason 10!

Tutorials

How to make a track with BIAS AMP 2 in Reason 10

Posted Feb. 14, 2018, 2:47 p.m.

Join Paul Ortiz a.k.a. Chimp Spanner as he shows you how to get started making a track using the brand new BIAS AMP 2 virtual amp designer VST plugin by Positive Grid in Reason 10. Making use of the modular approach in the Reason rack, Paul utilizes both well-known Reason devices such as the Scream 4 Distortion unit as well as POD VST plugins by Line6 along with BIAS AMP 2.

BIAS AMP 2 by Positive Grid is the ultimate virtual amp designer, authentically recreating the tone and feel of real tube amplifiers, while allowing you to mix and match components to create your ideal amp. You can use Amp Match to clone the tone of real hardware or a guitar track, or connect to the ToneCloud® to gain access to thousands of custom amps from artists and recording studios, or upload your own custom tones to the cloud.

Want to win Reason 10 and BIAS AMP 2?
Click here to enter a giveaway for a chance to win Reason 10 and BIAS AMP 2!

Reason is the music-making software with everything you need to start making music.
Get the free trial of Reason and start making your own tracks!

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Artist stories

Artist Feature: Tora

Posted Feb. 7, 2018, 12:28 p.m.

Tora is a four-piece electronic band born in Byron Bay, Australia. The group formed in 2013, fusing plush, layered production and instrumentation with graceful vocals. Their soulful electronic music has had them compared to seminal artists such as Radiohead and James Blake. Tora has been busy touring and making a name for themselves at venues and festivals such as Glastonbury, Falls Festival, Splendour In The Grass, The Great Escape UK and Canadian Music Week.

We sat down to speak with vocalist and guitar player Jo Loewenthal about their workflow in Reason both in the studio and on tour.

 

 
What's your favorite addition in Reason 10? 
I love Europa, that thing is such a beast, it’s got everything that I wished Thor had!
 
How do you get started with a new song? What sparks your creativity? 
Usually I just sit down, load up an instrument and just play the first thing that comes to my head. I find if I don’t think about it and just roll with the first ideas, and keep following that path I usually end up with something I like. Once I’ve written some parts on a couple of instruments, I tweak the sounds to be the way I can imagine them to be in my head. I find that the times when I go in trying to create a particular vibe, it restricts me and prevents me from discovering new things, so I like to approach it all freely and just listen to my subconscious ideas as they pass through my mind.
 
What's the best music making tip you ever got?
When something isn’t impacting like you want it to, try muting some layers, it creates space and helps you realise what is clashing or what isn’t working. Also make sure that every layer sounds nice on it’s own.
 
"try muting some layers, it creates space"
 
Do you have any special Reason production trick that you always use?
I try not to use the same tricks in everything, to avoid sounding the same always, but I do love sidechaining long reverbs to give the whole track a pulsing vibe. I’ll make a parallel of an instrument or vocal part, then put a long reverb in the rack on that channel and set it to fully wet, then have a compressor after it and have a kick pattern routed into the side chain on the compressor. You can mix it in as loud or soft as you like, I usually keep it quite subtle but I find it adds a lot to the track when used in the right way.
 
The three most used devices in your Reason rack?
  • Pulveriser is easily my most used device, I use it on almost everything.
  • Audiomatic Retro Transformer is also something I use a lot, especially on synths.
  • NN-XT is the most used instrument for me, I often sample my own sounds and put them into the NN-XT, I just love how much control it gives you.
     
Jo in the Propellerhead Studio in Stockholm.

What do you do when inspiration just isn't there?
Well that’s very rare, but it can happen. Usually I’ll go for a walk, or do something physical and completely unrelated to music to clear my head, then come back to the studio and listen to some music I’ve never heard before, also some of my favourite artists to get perspective. Usually by that point I’ll be ready to make music, but if not then I guess I’d just come back tomorrow, but I don’t think that’s ever happened.
 
"what am I listening to? This guy is twisted". I thought it was terrible"
 
What’s your all-time favorite album?
This question is impossible to answer, because I have too many faves. But there’s one album that really changed my perspective on music. I remember the first day I heard it I thought to myself: "what am I listening to? This guy is twisted". I thought it was terrible. But came back to it a couple of weeks later and suddenly I understood it and from that day on I had a completely different outlook on music. For me, this album is the most original and inventive piece of work I’ve ever heard, I don’t know how he imagined it up.
 
James Blake - James Blake (2011)
 
 
Follow Tora on Facebook, Twitter, Instagram, Spotify or visit their website.
 
 
 
 
Artist stories

Meet Retrowave artist Michael Oakley

Posted Jan. 22, 2018, 9:20 a.m.

Michael Oakley is a Scottish electronic musician whose retro sounding music is a love letter to 1980's synth-pop. Described as "melancholic postcards from the heart wrapped up in synthesisers and drum machines", his debut album California was released fall 2017 to critical acclaim from The Huffington Post and NewRetroWave.

We took some time off Michael's hands to talk a bit about how he works with his music in Reason.
 

What's your favorite thing in Reason 10?

Without a doubt my favourite new addition to Reason 10 is the Grain Sample Manipulator. It makes granular synthesis so easy and accessible. The possibilities are endless and I particularly like loading in vocal samples and creating lush pads or rhythmic textures. Using it makes me feel like what I imagine it must have felt like to use a Fairlight CMI for the first time all those years ago in terms of having endless possibilities for sample manipulation and new sound creation. It's so much fun to use.

"The possibilities are endless"


How do you get started with a new song? What sparks your creativity?

Prior to writing I spend time creating my own soundbank which is basically a folder on my desktop with all my favourite patches from various Reason Refills that I have or sounds I have created from scratch. I have them all categorised into subfolders like bass, pads, analog poly, leads. One of my favourite things about using Reason is that you can save sounds from different instruments into the same folder and browse through easily.

I usually find by browsing through all my hand picked favourite sounds that inspiration usually comes quickly. I like to create a mood and work with that. I then go to my piano and develop the chords/melody until I have a structure and go back to Reason to score things out more clearly.

What's the best music making tip you ever got?

Enjoy what you're doing and always make music for the love of doing it. People relate to that and can feel that energy when they listen to your music regardless of wether they like it or not. Sincerity is the best instrument you can put in your music for sure.

"Enjoy what you're doing and always make music for the love of doing it"


Do you have any special Reason production trick that you always use?

I like to group things together in Reason and then use the Scream 4 Tape setting to glue everything in each group. I use Scream 4 on everything nearly. It's my most used effects unit. It's so versatile.


The three most used devices in your Reason rack?

1.  Scream 4: I'm surprised this isn't available as a VST because it's the best effects unit I've used in any program. I use it to tape compress things, I use it to make lead sounds pop with the overdrive setting, I use it to bit crush drums or bass sounds and make them sound crunchy. I couldn't live without this!


2.  Thor: When this got added to Reason 4.0 I was super excited. I love the different oscillator options and programming capabilities. I would challenge anyone to name an analog or digital synthesizer sound that can't be created in Thor. It just sounds fantastic.


3.  RV7000: I use at least three of these on the main mixer's auxiliary channels. It's great for simple room reverb just to soften and give a sense of space, but is also amazing for really long spacious effects on pad sounds. I also love the DRM 80s gated plate preset for my drum machine sounds.

What do you do when inspiration just isn't there?

In those moments it's usually either time to listen to some new music and discover something which moves me, or get a new Reason Refill and play through some new patches until I find a something I like. Sometimes it requires taking a break as I have been guilty in the past of spending too many hours staring at a computer screen.

What’s your all-time favorite album?

Endless Summer - The Midnight

 

Follow Michael Oakley on Instagram, Facebook, Soundcloud, YouTube.

Start creating Retrowave music yourself with the free trial of Reason.

Artist stories

Artist Feature: FaltyDL

Posted Jan. 5, 2018, 9:27 a.m.

Hailing from Brooklyn, New York, Drew Lustman aka FaltyDl has been releasing his eclectic electronic music over the years on such renowed labels as Planet Mu and Ninja Tunes, as well as his own Blueberry Records imprint. Drew has put out six albums including his most recent ouput Heaven is for Quitters and he has also toured with James Blake, opened for Radiohead and remixed for the likes of Seun Kuti, Photek, The XX, Disclosure, Tricky and Ellen Allien.

Drew makes all his music in Reason and we figured it was time for a chat about how he goes about creating his music in Reason and what the thinking is behind it.
 


What's your favorite thing in Reason 10?

Reason 10 really nailed the integration of VSTs. I had started to play around with some 3rd party plugins in Reason 9, but everything jelled with Reason 10. It's funny to think my favorite thing about Reason is using non-Reason products with it, but that’s the spirit of music.  Inclusion, experimentation and freedom. I used to feel tied down by the limitations of not being able to use VST’s, now it's been blown wide open and my wallet is my only limitation haha. Also being a lifetime Reason user, it's really nice that the GUI has been solid for the past few versions. If there is one thing every artist hates, it's change to their workflow. Although once you push through, new opportunities usually arrive.

How do you get started with a new song?

Just play. Have fun and experiment. I can honestly say, 10+ years into making electronic music i still don’t have a clue what I am going to make when I head into the studio. And every time I think I do, it comes out completely different. I’m not accurate like that. But I never cared about it either. My advice is make everything you want to make. You can decide later if its crap! Also, no one has to hear it… hehe

What's the best music making tip you ever got?

What you don’t know starting out is if music becomes your livelihood, pays your bills etc. your relationship with it may change.  Go with the flow, go easy on yourself when the tunes don’t just come naturally. They will again.

Do you have any special Reason production trick that you always use?

I like saving racks, songs Ive completed, then erasing every single note and just letting the set up remain for another day. It’s a good way to get a vibe going quickly.

I like treating the mixer as an instrument.

I like treating the mixer as an instrument. Doubling instruments, giving sounds multiple channels to phase against each other with LFOs can really make some freaky human sounding stuff. I still smash ‘tab', switch Reason around so to speak and wire things awkwardly. One thing I am trying to be more conscious of these days is relative volume across different levels, meaning Line Level vs Instrument Level vs master level etc. I try and leave enough headroom at the end of a track so i can mix more freely and not worry about adjusting everything.


The three most used devices in your Reason rack?

Scream 4 Distortion has been a mainstay for me since Reason 3. The tape saturation is pretty spot on!

I use the NN-XT sampler in pretty much every track. I come from before you could just print audio into Reason and had to start a track before the sample is triggered in order to hear it. It was painful back then, but created a good listening habit which made me a more active listener. I find I can focus on the most minute musical event in a song and completely forget its context, only to then listen to the entire song and think what the hell did I just do for 45 minutes?  

The tape saturation is pretty spot on!


Dr OctoRex is still a beast. I don’t think I use it to it’s full potential, but I come from sampling breaks and have always used this alongside recycle. Integrated audio has changed the need for this but hey I’m a bit old school.


What do you do when inspiration just isn't there?

Leave the house. Go for a walk, call a friend. Move a muscle, change a thought. Forcing the thing works maybe 10% of the time.  Collaborate! Send stems to a pal and ask for some back. Inspiration, muse, whatever you call it is a fickle thing. It never shows up on time and often when you aren’t even close to your studio.
 

Inspiration is a fickle thing. It never shows up on time and often when you aren’t even close to your studio.


What’s your all-time favorite album?

Impossible to nail down. Here are a few;

  • Feed Me Weird Things - Squarepusher
  • In a Silent Way - Miles Davis
  • Apostrophe - Frank Zappa
  • Drum and Bass for Pappa - Plug
  • Ruins - Grouper

 

Go follow FaltyDL on Instagram, Soundcloud, Facebook, Twitter, Spotify.