Futurecop! Top Five
Futurecop! have collaborated with a variety of artists from Christian Rich to Yo Majesty, as well as remixing Crystal Castles, Yo Majesty, Black Kids, Vega, Thunderheist and Sam Sparro. The band released their debut EP 'The Unicorn & the Lost City of Alvograth’ with LA based label iHEARTCOMIX and Southern Fried Records. Three new singles and an album are due this year
Analogue Bass (Reason Factory Soundbank / Thor Patches / -Signature Patches / GordonReid (GR))
I use this a lot, when filter 1 frequency is at its highest and the res is at its lowest - gives that really dramatic sci fi / pop / 80s synth-line! Hardcore sound! Its used so often I think this patch should be called futurecop.....!
Muddy Bass (Reason Factory Soundbank / Subtractor Patches / Bass)
I use this with scream. It gives a wicked bass that sounds like a distorted guitar.
Solina Strings (Reason Factory Sound Bank / Subtractor Patches / Pads)
Produces a really lovely and sad synth, especially when the filter is halfway. It makes me cry :( lol
AcBss MW Mute (Reason Factory Sound Bank / Subtractor Patches / Bass)
This bass has got a nice retro / disco feel to it, especially when used with an arp. I use this for get everyone to boogie boogie!
NewYorkCity (Reason Factory Sound Bank / Subtractor Patches / Polysynths)
The NY skyline and this sound goes hand in hand, don't know why but it really does! Gives a nice nostalgic/euphoric feel to the sound. I used this in our first ever song by total accident - class of 1984.
Joachim's Custom Patches
As a producer and engineer, Joachim Ekermann has worked with some of the best pop acts Sweden has to offer.
Alexander's Top Five
Alexander Adhami, aka ALEX PLAYS, is a producer and artist for Film, Television and live performances.
The Dynamic Duo Top Five
The Dynamic Duo's credits include Grammy winners, dozens of Gold/Platinum albums, 75 million records sold.
Bless Beats Top Five
Best known for creating Wiley’s 2008 smash ‘Wearing My Rolex’, which debuted at number 2 in the singles chart, selling over 300,000 copies. Renditions which followed by the likes of Little Boots and Hot Chip for Jo Whiley’s Live Lounge session on Radio 1 took Bless Beats’ work well beyond the ears of the post-grime loving electro pop massive.
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