Robert Vadney's Top 5
Robert is mostly known for creating a unique style of Club music with his strange/angry/melancholic compositions, his Rock attitude and having a strange/twisted style of appearance amongst the Club music Producers and DJs - altogether making him a true artist, who stands out..
VNSs+VCSs Arco lite (Orkester Sound Bank / Strings / String Combinations)
Real Strings are very hard to find and this is a very real-sounding staccato of strings when used correctly - example of this can be heard in my "The MunchKing" from my "Christmas Anthems" EP, coming out this December on Paul Oakenfold's "Perfecto Records"..
Music 4 Airports (Reason Factory Sound Bank / NN-XT Sampler Patches / Piano)
How can you not love that old and beat up piano sound, with that calm-sweet atmospheric pad behind it..?
Euphorichorale (Reason Factory Sound Bank / NN-XT Sampler Patches / Pads)
Very calm and sweet pad - great for creating backgrounds and great for Trance and Chillout.
Ocean View (Reason Pianos / Piano Patches / Style Pianos)
If you want a very old classical piano, add a light Scream distortion and proper EQ and this is your weapon of choice. Again, an example of this can be heard in my "The MunchKing", coming out this December on "Perfecto Records"..
Vadney Trance Pad
I decided to take a few minutes to make a free preset for all fans and Trance lovers to use and even included a small melody example as well - it comes in song mode (including example) and plain Combinator (for direct usage) - Enjoy.. };-]
Ming's Top Five
As one half of seminal break beat duo Ming+FS, Ming has released over thirty 12"s and four full length albums.
Michael Rasbury Top Five
Michael teaches Sound Design at the University of Virginia. In 2001, he toured with John Cage’s "An Alphabet".
Kevin's Top Five
Kevin Hastings has worked with such artists as Rihanna, Fall Out Boy, Jay-Z, Chris Brown and Liz Phair.
Ali Payami Custom Patches
Producer/Songwriter/DJ Ali Payami. His tracks has been played all over the world by the biggest DJ names around.
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