House producer and long time Reason user Lucky Date recently joined up with Pyramind and held a two hour Elite Session which is now available online over at their website. Among LOTS of other things, Lucky Date talks about his production process and workflow in Reason and also how he came to the name "Lucky Date". We get an in-depth exploration of his own tracks and how they came about, as well as a discussion about collaboration techniques when working with other producers and musicians.
Check out the video teaser below and then head over to Pyramind's website for the full two hour Elite Session.
Pyramind Training, the San Francisco music production school, operates side by side with Pyramind Studios. Pyramind offers a wide range of programs; Music for Picture and Games, Electronic Music Production and Rock & Acoustic recording as well as four online programs centered around specific DAWs.
If you want to get up to speed on the new convolution reverb that's part of Reason 8.3's revamped RV7000 MkII reverb unit, then you've come to the right place. In this tutorial we'll take a look at the history of reverb to understand how convolution fits into the story, how it works, and how you can go about making your own presets with custom spaces.
Propellerhead Discover is a fantastic feed for musical ideas, ready to be picked up in Reason with a single click. When you open Discover material in Reason, the tempo information is preserved, making it very easy to get going quickly adding your own production and musical ideas.
However, sometimes the greatest song ideas captured in Take might have been recorded by singers without a steady tempo or backing beat, which means the tempo tend to drift quite a lot. That shouldn't stop us from being able to use them in Reason, though. In this tutorial, Ryan shows us the basics of finding inspiration from Discover but also an advanced technique for tempo mapping and fitting freely recorded material to a fixed tempo grid ready for Reason production.
Discovering Reason is a series of articles created especially for people who have been using Reason for some time, yet can't help but feel they've only scratched the surface. While many of them were written for much older Reason versions, they're more retro or classic than out of date.
Reason's endless possibilities are not always obvious and there's a myriad of nifty tricks hidden in this open-ended production environment. We are creatures of habit, and it's easy to become lazy and get stuck in routines - routines which are often a heritage from other production environments that emphasise on quantity and diversity rather than flexibility and experimentalism.
The articles will assume that you have a fair amount of experience with Reason, and will not cover all the details of certain basic operations. Consult the Reason Operation Manual if you stumble upon something unfamiliar.
It happens all the time. You hear a song on the radio, on Spotify or on YouTube and you're thinking "Wow, THAT sound is really nice. How do I get that?".
That's exactly what we thought when we heard Clean Bandit's song 'Rather Be'. So after some research time in the lab, Mattias shows you how to recreate the main synth sound from that song in this tutorial video: